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What happened to WPGU?

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I deeply love Champaign-Urbana. The place has meant everything to me for a little over five years. I tried to give love back the only way I was able to, and that was through music. I didn't play in a band, and as certain members of some local acts can tell you, I'm awful at every instrument that I've ever picked up. But what I did do was go to shows, probably hundreds, and began working to make the largest "alternative" radio station in town (WPGU 107.1) something that reflected the taste of the people I knew and met — not just students, not just locals.

This past weekend, at the best Pygmalion Music Festival I've been to, I spent a good chunk of time talking to artists, friends and folks I consider family. Having recently moved away, the topic of conversation went quickly from my new job to "What happened to WPGU?" Seriously, I may have answered different versions of that question 25 times in four days. So, I contemplated my exit from the station, spoke with the rest of the managerial staff who worked with me or above me at WPGU from 2010 to early 2011 and also some current folks that work over there now. Here's the best way for me to describe what exactly has gone on in the past year leading up to this interesting flip that harkens back to the days of The Planet.

My office at WPGU had a futon. I don't know if it's still there or not — I haven't been inside that thing in months. It wasn't some rock 'n' roll haven for late-night vices (although that would have been way cool). I had that futon in my office because, as the Music Director, I spent more than a few nights sleeping in that small, windowless room. One of those nights was in preparation for Pygmalion 2010, where myself and our other Music Director spent almost 24 consecutive hours altering our back catalog for just one day of programming (You better have liked it, Seth). 

Once you get hired as a WPGU Music Director, you find out a few basic things. First, you're gonna get paid minimum wage if you work 20 hours every two weeks. The company has gone from paying students legit wages to claiming that it is now an "internship" that pays an insulting "salary." If you work more, you don't get more. If you're the MD, sometimes you put in 15 hours in one day, so you can't work for the money — if you do, you're in the wrong business. Second, you damn well better know how to run an MS-DOS program because that's what we used to upload and create each day's music log or playlist — and it's worse than it sounds. Third, if you don't know and understand the people who tune in, chances are that your audience isn't very large, and if it is, it's only a matter of time before they get pissed off and find somewhere else that understands them better.

This is ultimately the biggest gap in philosophies between the current regime and the one I was a part of. We wanted to be in touch and seen in the community. Those were the people that were going to buy in to our product, and we wanted them to like it. Clearly, our philosophy was like a freshman sorority girl trying to attract bros — WE WANTED TO BE POPULAR AND LIKED. (Maybe a better analogy can be used, but whatever, I'm not Joyce.)

A new consultant was hired after the longtime Operations Manager went to Washington to pursue a political career last summer. This consultant, "Dilla," was extremely far removed from the music scene in town and for months would pander to me and the rest of our staff to model our playlist and core sound to that of the now-defunct Q101 in Chicago. But here's the thing about the alternative landscape in radio — most who are audiophiles and avid music fans understand that "alternative" means absolutely nothing. Alternative to Top 40? Maybe. In radio-land, there is actually a category of music called "Alternative" and another designated as "Active Rock." The difference between the two can be very slim, as Q101 demonstrated by playing both Arcade Fire and Mumford and Sons (Alt Acts) next to bands like Skillet, Shinedown, Papa Roach and Linkin Park (Active Acts). It's weird, and it was wrong, and now Q101 is no more.

With that said, it seemed to us that in the past 5–10 years or so, the nature of "alternative" and "indie" were crossing over into the mainstream, and so it seemed feasible to model our station around bands that have significant draws at major music festivals. Arcade Fire, The National, Kings of Leon, the Killers, the Strokes, Black Keys, Modest Mouse, Wilco, etc. Like some of 'em, hate 'em, whatever, it just seemed to make sense. In turn, we'd create a model of bands that sound and draw similarly to these guys because plenty of these bands are beloved (or at least respected) by hipsters, bros, parents, teens and everyone in between. And C-U has a helluva local scene that doesn't get enough love nationally (maybe that's my bias, but seriously how can one NOT fit Shipwreck's Rabbit in the Kitchen... or something from The Beauty Shop into an afternoon radio slot?). So we wanted to rebuild the relationship with the people who set musical trends in town. It makes sense that the folks playing music in Champaign are modeling their music off of stuff they enjoy and listen to. So we ran with that. That's why you might have heard Braid, Iggy Pop, Gang of Four, Ride, Tears for Fears and other bands mixed in with some of the newer, more popular tunes from bands like Fleet Foxes, Foster the People, Death Cab for Cutie, etc.

This is also why we scrapped the recently returned local hour of music. We respect the hell out of our local acts and treated their art the same as we treated the art of our "core artists." If your music fit, chances are we were going to play it — and not just on some random Sunday evening between 9 and 10 p.m. Obviously, we have personal tastes that may have clouded out certain acts, but for the most part I don't think one can argue with the fact that we did our best to feature local artists as much as we could during regular programming. (While I'm on the notion of local music I thought I'd point out that Elsinore drummer Dave Pride was nowhere close to as good as he said he was at Mario Kart 64 and that the youngsters from Grandkids put him down early in our in-studio tournament last year.) We know our tenure and our ideas weren't perfect, and in the year we were at WPGU, we didn't achieve everything we wanted, but the groundwork was set for the future. Hell, our Arbitron ratings increased by half a share without even finishing all of our changes. Things were looking up for 2011–12.

Once we were on the verge of graduating it was time for the new Program Director to pick a new staff, who we were to help train. We spent hours helping and setting up folks who would hopefully continue to build these relationships and this station and make it better than we did. The biggest part of this training was explaining to the future managers that they NEEDED to go and be a part of the music scene — introduce yourself at shows and take in as much of C-U's music as you can. And THEN go downtown, visit art galleries, restaurants, bars and get to know this place. Every week in 2010 you'd be hard-pressed to not see at least one of the WPGU managers around town as a functioning member of Champaign or Urbana, not just confined in between First Street and Lincoln Avenue.

Unfortunately, our advice mostly fell on deaf ears, and you'll now be hard pressed to even see the new Program Director ever, and the current Music Director might as well be a ghost according to some of the artists I've spoken with. I got that feeling after answering, "Who's doing your job now?" at the start of about 15 of those 25 conversations. Prior to the new staff getting hired, the Music Directors had an intern who was supposed to take over as one of us. And he did in March! For a few weeks. And then he told us that the new Program Director was planning on making some musical changes — modeling WPGU after Q101. Our former intern wasn't totally down with the changes but wanted to try and sort out the differences, and the current PD, instead, gave him an ultimatum that asked him to either be a button pusher or quit. He quit. I had a chat with the PD, who assured me that the changes were going to be different and not as drastic as our intern had led us to believe. I felt comfortable and was willing to lend the PD my support. I thought we were still kind of on the same page — the core sound would be the same, just some alterations to the back catalogs.

For the rest of the summer, myself and anyone who asked was assured there wouldn't be much of a change coming. Hell, we had heard rumblings of the tag-line of the station changing from "Your True Alternative" to "Champaign's Alternative," which is creepily similar to Q101's "Chicago's Alternative" — hadn't we already talked about what happened to that station? But we didn't think that was going to happen — if more than half of the music changed AND the tagline changed, it would essentially be a format change. That's usually really costly for radio stations.

In July, I went back in to WPGU to work on creating a demo tape and was alerted to a HUGE list of songs that would be infused into our product. Actually, it was an almost equal amount of songs as our (then-current) library, which means that the product is either going to be diluted, or most of what we had worked on adding and compiling was going to be wiped out. On that list was everything from Fuel and 30 Seconds to Mars to Chevelle and Rob Zombie. I couldn't believe it. I asked one of the current managers what the deal was, and they had been furiously adding some 700 or so tracks for a few weeks preparing for a change. The PD still denied any major adjustments were coming. Maybe I'd be less inclined to be upset over this whole thing if he'd been honest and said, "We're going to overhaul WPGU." Instead, he hid behind it, and now it may seem to some like we helped. It was crushing to know that our hard work was being thrown by the wayside AND we were being lied to about it. It was also crushing to know some of the people who are in button-pushing positions didn't stand up and try and stop the changes — that might hurt a little worse.

For the most part, you won't see the majority of the new staff out at most shows or getting a feel for what makes C-U tick (like playing darts at the Brass Rail on a Wednesday, listening to jazz at the Iron Post, shooting pool at Esquire, bacon on everything at Boltini!). It's the stereotype of a transitional period in a college student's life: Come here and be parasitic for a few years and then leave. Don't make a mark, don't make a second home. It's not right, especially when you have the power to make people in Champaign-Urbana proud of a radio station in their hometown because it's uniquely representative of their tastes. Speaking of representing your tastes, don't bother calling in to the request line — word from multiple DJs has told me that WPGU will NOT play your request per managerial orders. I'm not kidding.

So I sit here, embarrassed for what is currently no more than a station that once again lacks identity — one that is misguided and lacks understanding of this indie haven in the Midwest. A station that should wear Midwestern emo such as Cap'n Jazz and Braid on their sleeves is now handcuffed by lists, books, and charts — numbers tell them what to play on the radio, not the people who live in the towns that they broadcast to.

I don't know how to keep this from sounding like sour grapes. I don't. But I feel I needed to make sure that those who cared about WPGU, or at least respected our work, understand that the group you all had met and hopefully liked in the past year tried to set something up that represented Champaign-Urbana. Not the suburbs, not Chicago, not New York or Los Angeles. Chevelle, Linkin Park, Our Lady Peace, Blue October, Paramore, Lenny Kravitz and the rest don't represent Champaign-Urbana. We didn't want this, whatever it is — and I don't think you do, either.

Tom Pauly served as musical director for WPGU from 2010–11, and hosted the Plastic Factory, Prime Time 6–9, Make Me a Mixtape, and other shows throughout the past several years.


177 comments

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johnny

#1

My sympathies.  I’m confused why anyone goes along with this:  those who work there for nada, principally.  If you’re going to do radio here for free, isn’t there still WRFU?
I also don’t get the point of that afternoon show where you’re supposed to call in and vote on a ten-year-old song by someone famous.

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Brett

#2

Yep.  The new PGU format sucks.  Big Time.  Every time I turn it on now I have to wonder whether the new crop of college kids were even alive when some of these songs were popular.  It’s really unfortunate that there’s a bean counter in the current PD spot.  Tom and his crew really went above and beyond in their jobs, and it’s a shame that this year’s plays will be dominated by music that sucked ten years ago.

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Bro McBrosterson

#3

#ohwowayeetfoshotompauly

Jason Brown avatar featured_post

Jason Brown

#4

Despite being run by students, the station is still a commercial station. Though the execution might not be correct or effective, the reasoning is this - there is no longer a current or even recently current alt/active station (playing familiar artists) in the market. An attempt at filling that void is an attempt at bringing in advertising revenue. Like I said, the attempt might be fruitless, but that’s the reason behind it. Comparing the death of Q101 (brought on by a buyout and an incoming of antiquated, entrenched “radio management,” not for lack of sales revenue) to WPGU would be inaccurate.

I worked there a decade ago, and they were using the same argument (“internship”) to avoid paying real wages then too. WPGU (and Illini Media) maintains their status as a “training ground” in order to avoid federal minimum wage laws. Having worked in radio professionally for over a decade, though, I can tell you that if you were expecting to make money in radio, you were mistaken. Which is why I’m not in radio anymore (for a living, anyway).

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Elle

#5

This explains so much. I wondered why Blink 182 was being played every 5th song in the mornings.
 
Besides turning our radios off, what else can we do to change this?

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RS

#6

I have completely stopped listening to WPGU.  It sucks so bad and it makes me sad that there is not a decent radio station in a college town like C-U. 
Elle’s question is a good one.  Is there anything we can do?

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Tom Pauly

#7

I think I can speak to Jeff’s discussion of playing familiar artists and creating revenue by pointing to the fact that those who are paying Illini Media for ads for the most part ARE local businesses, if we’re catering to their desires, revenue should not be an issue.
And though Q101 was bought out, the ratings for the station had been steadily declining - if it was a successful venture, the company who purchased the station would not have felt the need to give it the ax…

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B

#8

We’re so lucky to have another “alternative”, WPCD 88.7.

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Tom Pauly

#9

And by Jeff, I meant Jason. Apologies.

Jason Brown avatar featured_post

Jason Brown

#10

@Tom - And the local businesses cater to local clientele. Students aside (as they’re only a small portion of the spending public), those businesses want everybody’s money. That includes the plumbers and construction workers and guys who want to hear Shinedown on their lunch break.
 
Like I said, you have a point that the method is perhaps ineffective or wrong. But considering who’s been running the show there for far too many years, getting new ideas past an old mindset will prove impossible. Would it be nice if WPGU could operate like a college station instead of a “commercial” cookie cutter? Absolutely. Is that likely given some of the folks in charge, though? Probably not.

Jason Brown avatar featured_post

Jason Brown

#11

Also - the company that bought Q101 is run and was formed by an egomaniacal former radio broadcaster who chose to switch to all-talk FM format mainly to feed his ego, not to do with good business sense. Granted, Q101’s ratings were on the decline, but that’s due to the fact that the programming decisions were being run from an office in St. Louis instead of by someone who knew what they were doing in Chicago.

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Sean

#12

Plastic Factory was the best show on that station. Ain’t gonna hear Captain Beefheart in the new format, thats for damn sure.

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21st Century Solutions

#13

I have a handful of solutions:  Spotify, Pandora, or Google Music.  Be your own music director.  To me radio is dead and this is like arguing over the color of the drapes on the Titanic.  However, I realize there are still people that listen to radio, and I am sorry to hear that the format changes are displeasing to so many of you. I haven’t listened to WPGU with any regularity since it was “The Planet.” Thank you for an interesting article. 

Annie Weisner avatar featured_post

Annie Weisner

#14

It might be worthwhile to reach out to the WPGU staff.  I got a ridiculously nice and professional email back from their music director when I emailed her.  She also pointed out that WPGU is still sponsoring really great local shows, like the Those Darlins show this Sunday.  Breaks my heart to not like to listen to the station anymore, since I’m a huge supporter of college radio, but I can only hope the changes won’t stick.

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Jim K

#15

B’s right, WPCD 88.7 is pretty much the bomb when it comes to new/cutting edge music 24-7 (I think) on the local airwaves. And I’m sure someone will correct me if I’m wrong, but I’m pretty sure WPCD is also *commercial free*, which is truly the best of all possible radio worlds.

Tracy Nectoux avatar featured_post

Tracy Nectoux

#16

B’s right

 
+1

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Chelsea

#17

THANK YOU for this article.
When I noticed the obvious (yet unannounced) format change I felt betrayed. Thanks for the warning about all the crap I was about to hear… dicks! I’m open to change, and not a music snob by any means, but betrayal is hard to forgive.
This is the only explanation I’ve been able to find. And I SEARCHED. Thanks for all you put into the station Tom, you’re amazing and I never knew how much went into that difficult job of yours!

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Andrea

#18

I’m with B and Jim:
I have been a bit disappointed with WPGU lately; however, that has given me to opportunity to take a closer listen to 88.7—Parkland’s radio station. I’ve discovered quite a bit of new music from that station and am often pleasantly surprised at what I hear there throughout the day.

Doug Hoepker avatar featured_post

Doug Hoepker

#19

Jason, I disagree that a CMJ-format station and a commercial station cannot successfully mix. There are some examples of that working in terms of building listnership and creating an engaging listening experience that supports the community (whether that community be a college campus or a city at large). 
 
As others have pointed out, WPGU is always going to be a niche station in this market that is perceived as a station that reaches out to college kids and young adults in the market. The advertisers who give the station money expect to reach that market. Whether the station is playing ‘90s alt-crap-rock or the new St. Vincent record, its ratings are not likely to fluctuate that wildly and its core advertising base is going to remain intact, because the station is already fully branded in the community. So why not hire students for key positions who actually care about music and allow them to create an interesting, varied, format that features the best in new music? Wouldn’t that experience be more valuable to them, as a training period, than belching up the worst music from the past 20 years because some “plumber” on his lunchbreak wants to hear a particular song? That plumber ain’t part of the station’s core, branded identity, anyway.
 
It sucks that WPGU’s playlist/format is going in the toilet yet again, but this is not the first time the station has stumbled, nor will it be the last. That’s part of the lumps it takes by turning over its staff so frequently and by being run by people who just don’t concern themselves with the critical quality of the station’s playlist. And honestly, as listeners, who has the time and energy to care anymore? We’ve got better options on the dial (Parkland) and better options off the dial (online). So if WPGU wants to be a station that serves a narrowly defined, dated, losing concept of “commercial” “alternative” music, let it be. 

Jason Brown avatar featured_post

Jason Brown

#20

@Doug - I wouldn’t say the two couldn’t mix. But knowing who’s in charge at the top, the type of thing you’re suggesting (and an idea I like) is unlikely. They’re also bleeding money, so they’re trying to go after an easy buck (in some respects). But in the present economy it’s unlikely to materialize.
 
The problems go deeper, of course, and I could spend far too long speculating about them for a site post. But I’ll save the boredom of my ramblings for another time.

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Q-Tips

#21

Tom, you wasted that year of your life. No offense, but it’s true.
 
No one gives a crap about WPGU and probably not that many people care about WPCD. Also, if WPCD went commercial-free, that would be (1) a fairly recent development; (2) sort of a narrow distinction, as there were public-service ads running occasionally not too long ago. An ad’s an ad.
 
Also, you’re not going to change the “parasitic” attitude or the attempts to represent the suburbs or Chicago. Sad but true. And you’re not going to have people rallying behind your cause, either. See paragraph 2 for the reason.
 
So this attempt is largely epic fail. It’s good that you found a number of places to name-drop some bands and businesses, though. I’m sure that thinly transparent ploy will help you in your current endeavor, which I don’t believe you mention here.

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Wow

#22

I know you said you don’t want to sound like sour grapes, but obviously you are. The nature of Illini Media is that it is student run, meaning you get your year in charge, then you graduate and move on. If you don’t have anything else to be concerned with  nearly 6 months post graduation then the college radio station you worked at, that is kind of sad.

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Adam Barnett

#23

I started typing something, but it’s probably better that I don’t. I’ll just express the fact that we need an actual college radio station that cares about music as opposed to resumes.

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jason

#24

Let’s be honest, the radio business sucks. It has for a while. It’s because it’s formatted in a way to target those people that listen for 20 minutes at a time when behind the wheel. Which is why you have to hear the pretentious ****ing kings of leon every 40 minutes when you turn on the radio. It’s about making numbers and selling advertising. I’m sure at some point it was about the music, just like MTV was once about the music, but in a time when marketing budgets have been slashed, you have to do everything you can to stay afloat.
I still try to stay supportive of WPGU, but the first time I hear Nickleback on there, I’m out.

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Adam Barnett

#25

Q-Tips:
1. PSAs are not commercials. Learn yo terms boiiiiiiii. 
2. Representing Chicago in the suburbs is the worst thing a radio station that tries to cater to CU can do, especially if WPGU tries so hard to cater to its target audience, who the station claims is a local as opposed to a student.
3. People are pissed about this. Ask anyone who cares about the music scene in CU, and they’ll have something to say about the program change.
4. I don’t think this was an attempt to rally anyone. It was an attempt to expose what happened to WPGU from an insider’s perspective, and in that sense, it was completely fucking effective. I’m sure you learned something, lulllllz.
Love,
Adam!
 

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Oh-Dear

#26

Internet killed the radio star.
 
No one wants to read about your far-away college glory days at WPUKE. What’s next? The chick you are now banging is not as hot as the one you did on the station consule?

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gamera

#27

Gotta agree—-for 20 years WPGU was locked into my presets in the car and I listened to it a lot. Now…that place is given to WPCD. They play music I want to hear, but more importantly, I get to hear stuff I didn’t know I wanted to hear. WPGU is tired and stale. WPCD is fresh and different than any of the other stations and they play newer music of various genres. 
 
And Doug Hoepker is right—-WPGU has fallen flat before with programming changes. I think this will be another instance of that kind of failure.

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Tom Pauly

#28

Jason, I totally understand everywhere you’re coming from.  But the management you point to has trickled down, and the “consultant” that was hired, as I’m sure you know, has marginal radio experience post-WPGU and should not be in that spot.  Not only that, but most of the managers who worked with him found him to be a bit more ignorant and unpleasant in the way he went about his business.
 
And Q-tip, Wow, and Oh Dear, I don’t want to get into some pissing match about my current endeavors, but if you’d like to follow me on Twitter @ThomPauly, I’ll post a prett great view from my 22nd floor office in the Chicago Tribune.
Obviously, this has to do with a product and a place that I care about, if you want to point to it as “get a life bro” that’s fine, like I said, 6 months post grad I was lucky enough to find an extremely well paying job in downtown Chicago not many people can say that.

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claire keating

#29

i would really like the current program director to respond to this.  he can’t just pretend that no one has noticed this change.  if e tiger wants to change wpgu’s format, then so be it.  but i think it was really rude of him to not acknowledge it at all.  people clearly care.
can we rally for this?

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john

#30

Bush 24/7.  I remember this music back when I first heard it in 1993.  Do I really want to hear it again? I was around for the hey-day of Q101 but that was then.
I remember reading about college radio back in the 90’s and it always had this great underground vibe, can’t believe this is what passes for college radio now.  But I think a few people are right on this, 88.7 has really picked up the slack.  And true, I think the way people consume music has changed as well, making radio not as viable a platform as it once was.
And honestly, who the fuck wants to hear Chevelle.

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Change

#31

Well- Change happens.
IMC doesn’t really give students any power just the illusion that they have influence. The real decision makers are at the top. They smile and nod at all your ideas but at the end of the day do what they think was best.

Cody Caudill avatar featured_post

Cody Caudill

#32

I agree with Doug. Blaming this on a high turnover of student interns is short sighted. Radio is about building relationships with listeners and you cannot do that if you abandon your philosophy so that the next students in charge can have their say. Hire students that care about the music and have plans to enhance the philosophy already in practice. College radio, to me at least (and I did work at one during my college years), is about exploring new music and creating lasting relationships with local businesses, personalities, students (this is a college radio station afterall), and bands. I firmly believe you can do that and still practice a commercial format. Students learn nothing but maintaining the status quo with the way WPGU is organized now and we all know how that is working out for stations around the country.
What bothers me the most is that WPGU has committed itself to boring and rote “alternative” music but will still land the interviews and in-studio sessions with emerging bands that come through town only because of their affiliation with the U of I. Those opportunities should go to WPCD.

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Q-Tips

#33

Adam/sockpuppet, it’s good to see you added some extra snark to your comments. That shows me you were afraid they didn’t work on their face.
 
Let’s take your failed replies one by one. If I switch to a station, and it’s running a PSA that’s practically commercial length, then the station is not commercial-free. I also was clear on that being a narrow distinction. The fact you chose to ignore all of that and respond with a definition shows me you didn’t bother to try to comprehend what was said.
 
On your second point: I’m glad you chose to spell this out for us again. But whether it’s the worst thing you can do (I tend to think long periods of dead air would be the worst thing, but you probably exaggerate quite a bit) is not relevant to my point. Pretty much anything on campus tries to cater to suburbs/Chicago.
 
Your misstatement #3: No. Many people could not give two shits. See other posts in this thread. Those people simply bail and go to another source. Don’t confuse that with giving a shit and wanting WPGU to return to “glory.”
 
4. Again, not many people give a shit about the “insider’s perspective.” That’s been covered here, too, with other posts. It is sour grapes. As someone else said, this is the way student media is. Anyone who thinks his changes are going to last long past the day he leaves is a sad fool.
 
Tom, it’s really thrilling that you have the office you claim. But the Tribune isn’t what it used to be, so color me unimpressed. The point remains that you wasted a year of your life being immersed in crap that not many people care about. (Darts on a Wednesday on a regular basis? Seriously?) And they care even less about your sour grapes and bitterness now that you’re gone.
 
You’re gone. Shut up and move on. The station is what it is. Most of us could not possibly care less. Again, epic fail on your part here.

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Tom Pauly

#34

I guess I don’t need to point out that being emphatic about apathy is telling?
Obviously, I don’t give a shit if you’re impressed. I work for an iconic company and one that is hardly on its last legs.  My time at WPGU and Illini Media gave me the knowledge and connections to do so.
Again, you’re emphatic apathy says  something…

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Tom Pauly

#35

And yes, I misused You’re.

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Q-Tips

#36

Tom, seriously. No one cares, guy. I respond in mocking fashion to you. Don’t confuse that with being emphatic. The few here who back you could storm the WPGU office this afternoon, and I would not care as long as you did not block my path through Campustown.
 
Adam/sockpuppet, hate to break this, bud, but the Ad Council considers PSAs to be ads.I don’t know if WPCD still runs these, nor do I care, but I know they did use them on occasion not that long ago.
 
Also, I should clarify that (sadly) you and I seem to be in agreement about the ploy of catering to the suburbs/Chicago. However, I shrug and live with it. You choose to do something else, however greatly useless it might be.
 
Finally, back to Tom—the company you claim is “iconic” has been iconic with its dipshittery in the last few years. Hang your hat on that, former WPGU program director.

Jason Brown avatar featured_post

Jason Brown

#37

PSAs are (or were at one point, at least) a legal requirement of FCC licensing. Technically even a small college station requires an FCC license to broadcast, and would be subject to such a requirement. So yes, to the listener, they are a “commercial interruption,” but one that they can’t really avoid. I know PCD also runs ads for events at Parkland from time to time, and those would technically be heard as commercials, but what can ya do?

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Q-Tips

#38

One more thing, Thom—dedicating an hour to a block of programming can be very effective, despite your claim, based on your limited experience at a college station that you now disparage.
 
This way, people who want to hear that genre know they can tune in at that time. And it can be marketed for—brace yourself—advertising. Using your approach, listeners might or might not keep coming back through the day, but that doesn’t mean jackshit to advertisers.
 
Aren’t there a bunch of radio geniuses at your current employer? Oh, wait—they were forced to leave in disgrace. My bad. Carry on.
 
One more question: What exactly do you do on the 22nd floor? Talk to Luka’s foster brother? Again, don’t confuse this question for caring. I’m just curious as to what those mighty connections and that programming experience did for you.

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Q-Tips

#39

Jason, to me, that’s not commercial-free. But I also said that might be a narrow distinction.
 
I don’t know that I’ve ever heard a paid ad on WPCD, but that doesn’t mean the station has never had them. This part, too, is largely irrelevant. Like it or not, ads pay the bills, and most stations run them. Don’t like it? Change the station, like the rest of us.

Jason Brown avatar featured_post

Jason Brown

#40

Unfortunately, my iPod died this week.
 
(Too Zune?)

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Patrick Wood

#41

As someone that works at WPCD, I can say that we’ve been talking about this change since before it was even made public. Most people would think that we’re elated that WPGU has drastically changed their format. For the most part, it’s really sad.
Before I even knew WPCD existed, I listened to WPGU. I was lucky enough (if I remember correctly) to tune in when it was The Planet, and I’ve discovered a lot of great artists while listening. 
What makes this whole thing so disapointing, is the fact that something that was once part of the community, something that had a part in providing music for a scene that’s been growing with each year with things like Pygmalion, is now more or less gone.
And while I understand the difficulties associated with being a college station, once you give up the one thing that people most liked about you, the music, you’ve pretty much screwed yourself. Listeners are clearly upset, and it seems like nobody at WPGU is listening. You can’t just change the format of the station every time a new Music Director comes in. Doing that is downright alienating to long-time listeners.

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johnnyfootballhero

#42

“Tom, seriously. No one cares, guy.”
38 comments in 12 hours, and Q-Tips is trying to convince the author no one cares.  Yuh-huh.

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Adam Barnett

#43

Dear Q-Tips,
You can consider yourself a noncommercial radio station if you run PSAs. LOLOLOLOLOLOL
Also, lighten up. It’s a shitty situation to some people, clearly not to you. People are expressing why they think this sucks.
Also, I have a sock puppet. It’s a police man, and he tells the best jokes.
I love you,
Lulz
—Adam

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Tom Pauly

#44

Someone explain to Phife Dawg, about the specialty shows that I either created or was a part of that catered to specific audiences… I’m sick of handling this hack.

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Patrick Wood

#45

@Q-Tips: We do run PSAs, and we do promote shows, ticket giveaways, events, etc. No station is 100% “commercial” but we’re not selling air-time to corporations like <insert any commercial you’ve ever heard on any other station>.

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Patrick Wood

#46

@Tom: This entire situation is pretty upsetting, and I can imagine even more so to people who helped build PGU up to what it was before this mess. I’m glad you wrote this piece, because it puts into words what a lot of us were already thinking.

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Q-Tips

#47

There you go again, Adam. Anyone who has to add a bunch of LOLs or snark after a point clearly knows the point isn’t worth much of a shit.
 
Again, I have said repeatedly that is a narrow distinction. What part of that do you not understand? Try to grasp things (other than yourself) a little better.
 
Thom, you aren’t too full of yourself, are you? I have no idea who the f you are, so I checked out your PGU profile. Wow.
 
johnny, it’s good that you have mastered counting. Maybe someday you’ll be ready for something more. Until then, let the adults talk and spare us the post counts, mk? Thanks a bunch, junior.
 
While we’re on the numbers game, let’s assume there are 50,000 potential listeners at any given time. Even assuming we have no sockpuppets here, we have maybe 30 people here who post that they give a shit and want PGU to “change back.” Dividing 30 into 50,000 or even 10,000 gives us a small percentage of people who want change.
 
Looks like you have an uphill battle here. Good luck with that. Even if you “win,” you’re dealing with a  college station that, by definition, changes approaches from time to time. What part of this do you not understand? Way to pick those fights!

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Tom Pauly

#48

I’m pretty full. I just got back from lunch at Morton’s.

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Patrick Wood

#49

What I don’t get Q-Tips, is if you don’t really care about the music, the station, and the people who are clearly upset about the ridiculous changes, why are you even commenting on this thread? 

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Q-Tips

#50

Anyone who had money on Tom responding in the tack of: “I live in the city/make money, so I must be right AND better than you” should redeem their cards at the window.
 
Place your bets now for the next round.

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Q-Tips

#51

Patrick: Interesting ploy. Of course, by responding, I am posting in the thread, so you can claim you are “right” about something. But what the hell.
 
I have noticed some changes with PGU’s programming. I actually welcomed them because (no offense, Thom) the previous approach applied to such a minuscule section of people that it was destined to fail. Thom might think he’s a visionary, but generally even non-profit companies want to see some revenue.
 
I could not give a shit about WPGU, WPCD, or a few of the other stations I never listen to. But I would rather have them as potential options than to not have them at all. Dimwits like Adam will have a difficult time grasping that point, but it is the actual point.
 
You guys are exceptionally entertaining with your indignation, though. It’s a college station, after all. By definition, it is ALWAYS going to suck. Always. At times, it sucks worse than others. But you will not change it, and your opinion is meaningless, no matter how many tabs you have at Morton’s. In fact, I’d venture that Thom’s departure represents addition by subtraction.

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Andrew K

#52

@Q-Tips.  Why are you being such a poopy head?  To say that Tom wasted a year of his life is asinine.  He worked hard and made WPGU a relevant and respected station in this town.  Just because WPGU is where it is now doesn’t mean that the war is over, it’s just hit a bump.  Maybe the next program director listened to WPGU as a freshman when Tom was running the ship and loved it, and will be inspired to make the proper changes?  Would that still make it a waste of time?  No.  However, I will say that Tom is a grade A asshole that sucks at darts though.

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Adam Barnett

#53

Q-tips!
I add LOLOLOLOLs because I’m an asshole! LOLOLOL And I love to grasp myself!
In the case of radio, commercial isn’t just your “commercial free hour on B96,” it has to do with the way business in the station works. If you aren’t advertising for businesses and making money off of those ads, then you’re not a commercial radio station. ROFLBBQIMSOFUNI
Also, I think you’re missing a general point, at least in the way I think and probably others. It’s not a “we want WPGU back to the glory days!” For me, I just want a radio station with some good t000ns.
I also think you’re a great person, and I would love to give you a smooch because it will distract you from my faulty logic and acronyms OMGLOL
 

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Adam Barnett

#54

<span>
<div>
“I could not give a shit about WPGU, WPCD, or a few of the other stations I never listen to. But I would rather have them as potential options than to not have them at all. Dimwits like Adam will have a difficult time grasping that point, but it is the actual point.”
Wait, I don’t get your point.
Also, to say that the music WPGU was playing hits a miniscule part of the population is probably one of the dumbest fucking things you could’ve said. Do you know how relevent the indie scene is, especially now that countless records from indie labels have done super well on the Billboard Charts? You’re an idiot. But then again, I’m a dimwit, so I’m sorry! Please ignore my comment :((((((
I love you. Don’t be mad!
</div>
</span>

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Patrick Wood

#55

Q-Tips: I’m not going to “claim I am right” about anything. I’m not trying to be right or wrong, I’m trying to understand your investment in the discussion, or by now, argument. 
 
Not saying that you appreciate music any less than any other person out there, but noticing “some changes” with PGU’s programming is like saying gas prices have went up “a little” in the last few years. People that actually put hard work into PGU, and people that were avid listeners know that this is a big deal. 
 
That “miniscule section” of people you refer to makes up a good majority of Pygmalion attendees, as well as local venue attendees. So if you call that minuscule, you’re clearly not anywhere close to in-touch with the CU music scene. And it sounds as if you don’t care anyway.
 
For someone that doesn’t care though, you have a lot of insults to hurl at Tom. And a lot to hurl at college stations. They suck and you wouldlike to have them as potential options? That’s your justification for leaving comments?
 
Here’s something for you, being the commenting guru that you are, to mull over: WPGU is now based largely off of the style of Q101. Listened to Q101 lately? No, of course not, silly question. 
 
Q101 is now an FM all-news station. Don’t comment on something you don’t care about and think those comments will hold much validity. 

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James T.

#56

Ever since Steve Plock left WPGU, I’ve barely wanted to make out with any member of their staff.  Good riddance!

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Kenneth

#57

“Feed the Tree” should be retitled “Feed the Troll”

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Adam Barnett

#58

Wait! WPGU? I thought we were talking about WPUG, the alternative to puppy radio!
I get Q-Tip’s points! I get them! I get them!

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Q-Tips

#59

Wow, the indignant people here are really off and running.
 
First, Patrick, nice straw men about Q101. I was aware of the format change, but I’m glad you chose to decide I wasn’t aware of it and then proceeded to make a judgment on said straw man. In other words, you decided to do what you accused me of. As our resident prick Adam might say: LOL!
 
Speaking of prickboy Adam, sorry, son, but basing your programming solely on local, indie rock probably wouldn’t even work well in a really large metro area, outside of a handful of places. It’s an approach destined to fail, and now it is being dismantled. Deal with it.
 
Don’t bother with citing some random college town and then insisting that because it works there, then it should work everywhere. That’s just stupid, but we’re putting our odds at the betting window on you doing just that.
 
Andrew, your post is silliest of all, sorry to say. Maybe someone did listen as a freshman. And maybe I hold the winning lottery ticket, and then I could buy WPGU and make it an all-Bangles station. Did you ever think of that?
 
Finally, back to prickboy: I’m glad you feel the need to keep defining for all of us what commercial-free means. If you want to hate any station that accepts commercials, then go ahead. But you’ll be hating an awful lot, and I’d venture to say that no stations are really going to give much of a shit about your opinion. In fact, I’d venture to say that WPGU doesn’t really give much of a shit what any of the indignant crowd here has to say. As I said before, PGU always has sucked and always will suck. And it always does what the current programmers want, regardless of the shrieks from the peanut gallery.
 
I will try to help out you on my “options” point, though: Because PGU always has sucked and always will suck, despite the contributions of media giants like Thommy Boy, I don’t turn to it that often. But sometimes I do want the option of saying as I’m driving or even on the computer: “Hey, I wonder if PGU is playing anything worth hearing right now.” That’s pretty much it, and I think a number of radio listeners are similar.
 
It’s called identifying listener habits and then doing a little bit to deliver to them. Your approach, sadly for you, is to whine about changes and then hope that will work. Like I said before, uphill battle. Good luck with that, especially as you and your group seem incapable of organizing a sock drawer.

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Tim

#60

Q-Tips is going to troll. That’s what he is.
If you don’t care about the situation, there would seem to be no reason for you to continuously post or bad talk a guy who worked hard to create a station that the community enjoyed listening to. 
I just graduated from U of I and I know for a fact my friends and I would always listen to PGU in the car, while studying, and during any down points in our days in the apartments. 
Claiming no one cares is obviously a ridiculous comment as seen by the number of people commenting back at you. If you hate WPGU and other college radio stations, great. But were you personally attacked by some college station in your youth that has caused a personal agenda against not only a radio station, but a guy that devoted a lot of time to make something he loved and was proud of?
And mocking Tom for wasting a year of his life at the station and mocking his current position at the Tribune? Who are you? What makes anything you say worth anything to anyone? For all we know, you are some bum in a basement that has his fun degrading others to forget how pathetic his own life has become

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Q-Tips

#61

Tim, no one gives a shit what you and your friends used to do. No one gives a shit what me and my friends used to do, either. Get over yourself already.
 
Wow, there are some self-important weenies on here today. And of course, anyone who dares to point this out MUST be a troll.
 
Hate to break this, “Tim,” but again, no one gives a shit about much of this. You and your friends will have to play with each other inside the car to different tunes. It’s called life—adjust.
 
I assume “down points” pretty much describe the lives of you and anyone else who are this charged up about a college radio station. As you’ve already said, Parkland caters to your needs. So what’s the problem?

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Kelly

#62

As someone who moved to CU a little over a year ago, I remember being impressed with WPGU when I moved here. Not only did the station play the music locals wanted to hear, it also focused on local bands and promoting the music scene in our town. As a college student who goes to local shows nearly every weekend and proudly wore a Pygmalion wristband for 5 straight days, I think that the negative posts in response to this article are completely ignorant to the fact that the dollars college students spend in this town DO have a palpable and beneficial impact on our community. With all of our great local bands (Hathaways, Withershins, Take Care, Elsinore, Santah, the Dirty Feathers, I can go on), a major music festival and an indepent lable, there is a demand for how WPGU used to be and the integrity it represented. It isn’t pathetic that Tom wrote this article or still cares about a job he held 6 months ago. If anything, it undercuts the above arguments that college students don’t care or matter. This is a college town. Deal with it. Students do matter, at least in CU. And hey, even is Q-tip’s  assertion that “Thom” is an bitter writer with a meaningless job is true, I wonder how he can say the WPGU format change doesn’t matter to him when he written several long-winded posts about the issue. If you don’t care, stop writing. Get back to the job you have that is so much more meaningful than writing for a major newspaper in one of our nation’s largest cities.

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Alex Quigley

#63

Every single person who has spent a decent amount of time and energy at WPGU has a moment post-PGU where they listen to 107.1 and think “What the hell have those kids done to my baby?!?!?!”
Every single one. It’s the Circle of Life.

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Patrick Wood

#64

@Kelly: Exactly. CU has Polyvinyl, Parasol, a ton of great, local bands, Elnora, Pygmalion, etc, etc. You lose a significant piece of that community, like PGU, that music community (that apparently doesn’t exist in some peoples’ eyes) is then dealt a major blow.

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Jason Brown

#65

@Alex - #RealTalk.

Holla.

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Tim

#66

Avoid the question much? What is your major beef with WPGU and college stations in general, and why should we care about your opinion, one that no one seems to be agreeing with?

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JJ Prieve

#67

It’s all about rating and revenue for WPGU, like any other commercial radio station in the country. To get the most ratings, you need a product a decent-sized population will listen to. The college-radio-too-cool-for-the-room approach was too niche, and therefore, not a ratings winner (and definitely not a revenue winner either). Their desire to become more mainstream is a great idea, especially since their main rock competition is gone. In radio, you seek to fill the gaps… right now, there is a HUGE gap in the 18-34 demo, and they have decided they actually want to get serious in that space. It’s about time they realized that college kids can in fact create a quality product that the townies will like (which is much more important than appealing to the students).... we did it back in the 90s, there’s no reason they can’t do it now. More power to them, and I’m glad they finally got themselves back on track. Now let’s see how they execute…. 
JJ Prieve
Music Director, WPGU 107.1 The Planet 1999-2000

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johnny

#68

“No one gives a shit what me and my friends used to do, either.”
Even a broken clock…
This could be a productive discussion if people ignored the self-contradicting troll and actually talked about what to do.  There’s WRFU, WPCD, WEFT, etc.  They weren’t playing Fuel and Rob Zombie, last I checked.

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Adam Barnett

#69

<span>
<div>
“Speaking of prickboy Adam, sorry, son, but basing your programming solely on local, indie rock probably wouldn’t even work well in a really large metro area, outside of a handful of places. It’s an approach destined to fail, and now it is being dismantled. Deal with it.”
LOL again. I am going to bring in a random college town called Philadelphia! I was the asst. Music Director at WKDU in Philadelphia (Drexel’s radio station), and it competed with every station in the area. It was free-format, non-commercial. We played everything from folk, to shoegaze, and we had a huge reggae scene. I had a show from 11 pm to 1 am on Monday nights and got at least 10 calls a show. It gets tons of donations, and sponsors a buttload of shows. It’s successful; it was CMJ’s best station of the year, and champion of the local scene. 
I’m not saying the same thing would be completely successful here. I am telling you that you’re wrong and clearly have a very narrow definition of what “the masses” tend to listen to. Even Top 40 tweens are branching out to maintain individualized music tastes; that’s what things Pandora, Spotify, and torrenting have done for the world of music, and you still seem to be in the “All my neighbors listen to only Lady Gaga and Katy Perry! They’d never listen to anything on an indie label, or even worse, something self-released!”
That said, I will use you in my ears because they’re full of wax!
</div>
</span>

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Kelly

#70

*has written

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pizza!

#71

“This could be a productive discussion if people ignored the self-contradicting troll and actually talked about what to do.  There’s WRFU, WPCD, WEFT, etc.  They weren’t playing Fuel and Rob Zombie, last I checked.”
Time for some shameless self-promotion?
We’re starting a free-format, non commercial, internet radio station on campus. We’re an RSO, and we just had our first meeting, but this is going to happen. Like the page if you’re interested, and if you want to contribute in any way, or donate equipment, a space or money, e-mail pizzafm@gmail.com.
https://www.facebook.com/pizzafm

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DK

#72

Q-Tip is just pumped he gets to hear Blink 182 - Adam’s Song 4x a morning followed up with Linkin Park, let him be.

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Q-Tips

#73

Tim, Alex Quigley already answered the question.
 
The difference, though, is previous people weren’t silly enough to write about how pissed off they are and then to add justifications like: “I work at the Tribune!’
 
Hate to break this, but others have gone the same route. They just didn’t feel the need to trumpet their self-importance.
 
Adam, last I checked Philly was much larger than C-U, even if you add in Savoy, Sadorus, and any other nearby towns. So not much about that example is going to matter. Sorry, but thanks for playing. Again, those who wagered on “cite random example as irrefutable fact” should collect at the betting window.
 
10 calls a show? At midnight? Wow, you certainly saved radio! Lol! What a fool you are for posting that and thinking it proved something.
 

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Tim

#74

I guess the question I have is not what station I can turn to instead, but, rather, if there is a way for WPGU to turn back to the station it was. PGU is right on Green St. and is involved in many of the events on campus; concerts, sporting events, university news. Taking pride in a student run radio station in the heart of campus town was part of the joy in listening to WPGU.

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Johnny

#75

This just got interesting.  We traded Q-Tips for Quigley.  Score.
Then we heard praise for the new format from the music director for 1999, the year The Planet and stations like it initially went to Hell.  Limp Bizkit 4eva!

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Q-Tips

#76

First, thanks to JJ for explaining that part of the issue. People here will still choose not to get it or accept it, but it is the reality.
 
Tim, how often does this have to be said? You are not going to change it back. I’ll share a story with you—before WPCD became the paragon of excellence you claim it is, it had a different format. When it switched, people there worked to change it back. They failed, as will you. You are not going to change it back. Accept it and move on.
 
DK, nice try, but wrong. I do remember when Linkin Park was held up as a big deal, though. Sort of like people here trying to claim PGU’s “focus on a tiny niche” approach was a big deal. Maybe with about 40 people.

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Adam Barnett

#77

Guys, I have a theory that Q-tips is really a puppy! Thoughts?

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Tim

#78

First off, Q-Tips, I have not once mentioned WPCD in any of my comments. I guess you are too busy fighting so many people on here you can’t keep the names straight.
 
The question I asked was not toward you anyway. I’ve read enough “give up” “it’s over” pessimistic comments from you anyway. I guess it must really be tough for you that people just don’t want to give up, but my question was towards other people on here that have constructive comments about WPGU.

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Tom Pauly

#79

I am actually a huge fan of Alex Quigley’s. And he’s probably right.
 
BUT, what people like JJ are missing out on is the point I tried to make that explains that what 18-34’s want now, is not what they were lukewarm about in the early 2000’s.  This is what was upsetting.  “Indie” is now mainstream, and the bands that I described are major headliners at major music festivals.  How they are trumped by Chevelle, and the like is mindblowing.  The crusty “alt and active” radio-ers need to catch up with the times and realize that the active rock and hard rock approach is now more niche than “indie” bands.  Arcade Fire won a Grammy for gosh sakes.  Sure it means nothing, but the fact that they’re recognized in that capacity is striking.
 
This isn’t a glory days post, or what are these kids doing today.  I get it, fine.  It’s more along the lines of hey, look, the 18-34 demo is appreciating much more than some faux-Vedder growl that perpetuated popular radio throughout the mid-90’s-early00’s.  It’s changing and it’s malleable, like the way people find the music that they listen to.  And in a market like Champaign, it’s an entirely different ballgame than that of a major market.

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Patrick Wood

#80

Seriously Q-Tips, who the hell are you? Who references Sadorus and Savoy when talking about the community? And have you any idea the listening radius for PGU? 
 
Better question, as someone who is constantly trying to refute everything anybody says on here, what do you even know about college radio, commercial radio, or the local listeners? 
 
Other than a very tactful vocabulary, what do you have that makes you worth listening to? An unsubstantiated hatred for all radio stations/Tom Pauly/people who don’t agree with you? 

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Tim

#81

Q-Tips, it’s not your fault

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Q-Tips

#82

Way to miss the point, Tim. The point was even at WPCD, there was resistance to changing the format.
 
If you don’t want to give up, then keep entertaining me. But you’re going to lose, out of sheer apathy more than anything else.
 
As shown here, you and your group are incapable of understanding anything other than what you want to hear. The previous niche being pursued was too small to be a sustainable approach. Anyone with objectivity is going to tell you that. It’s already been explained to you here by someone who used to be at PGU, but of course, your group just wants to put its hands over its ears and chant. Very ignorant, but also very amusing and very telling about the maturity level of the self-importants here.

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Tim

#83

I suppose there is a maturity level to mocking someone and telling them they wasted a year of their life.
 
It’s not your fault man

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Q-Tips

#84

Thoms, Arcade Fire winning a Grammy is irrelevant to a discussion about C-U college radio for gosh sakes. Try to keep up, OK?
 
The point again, for Patrick and others, is the previous approach was a loser technique destined to fail. Now it’s being dismantled. Live with it. Stop trying to shout about how much smarter you were for having that approach. You weren’t.

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Patrick Wood

#85

Q-Tips there was not nearly the resistance at PCD that is being seen here with PGU. 88.7 played classic rock and R&B, a format that a) doesn’t fit college format at all and b) wasn’t missed all that much seeing as there were (at the time) a pretty good number of other stations to choose from that played the same music.
 
Again, I ask who you are to think these are valid points you’re making. PGU was one of two stations in the community that played an indie-alternative genre of music. So dumping it for active rock is a pretty big deal.
 
Dropping classic rock and R&B from WPCD was a GOOD DECISION, and wasn’t met with this giant resistance you hint at. PGU dropping the indie college format was NOT A GOOD DECSION. The massive resistance proves it, among many other valid points in this thread.
 
 

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Adam Barnett

#86

Q-tips, I agree. Do you know anything about radio, music, or…anything? I bet you’re a higher-up at WPGU who just likes tearing people down who don’t agree with you.

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Alex Quigley

#87

The secret to making WPGU work is to appeal to the 150,000+ people that live in Champaign County - the people who Arbitron will randomly choose from to get ratings diaries, not transient UIUC students - and to sell itself as “the link” to those 30,000 UIUC students for local Champaign County businesses.
Straddling the line between mass appeal and credibility is the most difficult thing to do in music radio, and there are hundreds of approaches to that task.

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Johnny

#88

Utterly baffled Q-Tips is holding anyone’s interest.  Wake me up when it’s Tom Pauly and Alex Quigley again.

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ak

#89

Agree 100% with Tom’s #79 post. Indie has been mainstream for years now, and it’s hilarious to think that anyone I know in this town would care about some Puddle of Mudd “active rock” crap that was lame the first time around in the 90’s. I’m sure it would work for suburban Chicago, but not here. Champaign is both a college town market and a sort of “micro-urban” area with the interest in culture/arts that implies. Speaking as a so-called townie, WPGU is more or less committing suicide with this overhaul.

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Adam Barnett

#90

@Johnny
I’m super stoked for that show tonight.

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Johnny

#91

Why would WPGU give up vintage Puddle of Mudd to take a chance on, say, Wild Flag?  I can’t imagine there’s much market for total unknowns like that here.

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JJ Prieve

#92

If the 18-34 demo is all about the indie music, why isn’t WPGU a ratings winner? dramatic changes don’t come to stations that are winning….

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Johnny

#93

I think the bigger question is how much of the 18-34 demo listens to radio, is willing to listen to radio, etc.
Incidentally, cassettes supposedly are making a comeback.

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Alex Quigley

#94

That’s the huge question facing radio programmers aiming for under-30 formats these days, Johnny.

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Q-Tips

#95

Patrick, you are back to refuting claims that were never made. No one ever said the resistance at PCD was the same—just that there was resistance. Try to read things and think about them first. Then you can jump to conclusions.
 
Also, I don’t see “massive resistance” here. I see a handful of ignorant younger people who can’t make points, so they try to discredit and make wild statements that have no basis in fact.
 
It’s already been explained to you why PGU’s previous approach was a failing one. If you still don’t get it, then it’s your problem. But if the basis of your argument is to say; “Well, he’s old” or some other stupid crap, then you suck. I would believe someone who has experienced a couple of format changes before I would listen to self-important assholes like you or Thommy Boy here. Even if I didn’t know Thommy to be a total prick from statements he’s made here, his hypocritical approach to music programming would prove he’s a know-nothing douche. Music is somehow more inclusive if there are fewer choices of songs? Riiiiiiiiiight, that makes a ton of sense. I’m amazed PGU even survived that waste’s reign.

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Wildbill

#96

What happened to my baby?  Remember when I lived there for 2 months. i lived out of a coleman cooler.  that sucked.    im going to go put on the long version of champagne supernova so i can take a dump.

Jason Brown avatar featured_post

Jason Brown

#97

Bill wins the thread. And the internet.

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Patrick Wood

#98

You stole refute/refuting from me….
 
But in all seriousness, for the third time, who are you? Half of the “ignorant younger people” commenting on here have worked in/for/around radio stations or the music industry. And since I can “jump to the conclusion” that you are in fact older than everyone, something you brought up and pointed out, you’re now going to hide behind the blanket statement that you’ve seen this happen before, therefor this time will be no different?
 
I’d believe people who work in the radio industry, or aspire to work in the industry and actually stay in tune with what the hell is going on, even going so far as to get directly involved, before arrogant, opinionated assholes like yourself. 
 
Tom has had experience in music programming. I’ve had experience in music programming. You’ve experienced format changes as a listener who “couldn’t give a shit” about radio. 
 
For a third time, what do you have backing you? Age? Experience? Knowledge? The only thing I seem to be picking up on now is an extreme hatred for Tom Pauly. For someone who doesn’t give as shit, you sure sound like you have a bone to pick with someone.

John Steinbacher avatar featured_post

John Steinbacher

#99

100

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Q-Tips

#100

If Adam or Patrick ever made a good point (and that’s a huge if), you could say: “Circle jerk wins the square.”
 
I’d include Thommy Boy there, but his unique combination of suburban-bred arrogance, long-windedness, and rectal sweat will always win him some followers. The weak-mined are easy to sway.

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Johnny

#101

http://strange.corante.com/2008/07/21/name-calling-isnt-going-to-get-us-anywhere

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John Steinbacher

#102

Damnit.

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Alex Quigley

#103

I saw Long-Winded Rectal Sweat open up for Poster Children at the Canopy back in 1998

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Q-Tips

#104

There you go again. I give a large shit about radio—just not shitty college radio that will always suck.
 
Working in college radio does not have the clout you think it does. Try to give in and realize that.
 
I don’t dislike Thommy, although he’s working on accomplishing that. I do dislike arrogant music pricks like him and you, though, who concoct these losing formats and then try to argue about how great they are.
 
Also, I blocked John Steinbacher from 100—yes.

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Adam Barnett

#105

Patrick did make a good point just now: Who the fuck are you?

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Josh Cannata

#106

@ Q-tips Do yourself a favor and google: “Arbitron ratings Champaign, IL”
To call people on here “self-important asshole(s)” along with all the other petty insults while in the same breath arguing that what was the old format for a radio station wasn’t successful is pretty tough.  Check out the numbers. Where did you get your information to back up your point? I would love to know, plus your experience in anything related to this discussion.  No experience is neccessary but to crticize someone’s point of view, insult them, and argue some of these points without any experience, I don’t know, just seems to be a little outside the lines.  An honest I don’t agree, fact-backed, adult, non-abrasive discussion would be great and I bet even appreciated. 
—-
It is unsettling to see a lack of response from anyone at PGU though, not surprising but unsettling.  I’ve seen multiple people complain and not a single reasoning has even been given.  That’s what happens at a company that has that kind of turnover, unfortunately.

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Patrick Wood

#107

Well now we’re just name-calling. 
 
I’m sorry I didn’t take an anonymous gentleman(?) named after an orifice-cleaning instrument seriously. Clearly, your points, whatever they were, or contributed to this discussion, are valid. Thank you for enlightening me. If only you worked for WPGU, things would surely be hunky dory…. 
 
 

Jason Brown avatar featured_post

Jason Brown

#108

Alex just also won a shiny new internet.

I think Sarge was at that show.

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Patrick Wood

#109

Alex Quigley wins.

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Johnny

#110

Quigley always wins.  That’s why he’s called Quigley.

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Tom Pauly

#111

Well, the fact that I was born in a city might take away from the suburban-bred ignorance. And I think most of the folks that know me in CU would tell you that I consider CU my home.  It’s where I grew up.

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Johnny

#112

Is there some secret way to display comments after #100?

Mike Ingram avatar

Mike Ingram

#113

Why the fuck is anyone still talking to this guy?

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Patrick Wood

#114

Ditto to Johnny.

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Patrick Wood

#115

When all else fails, chant U-S-A!!! I like your style Mr. Steinbacher.

John Steinbacher avatar featured_post

John Steinbacher

#116

IT guy will open it up when he gets a chance. We have to open up after 100 for some reason. Let’s all take a deep breath and re-energize ourselves. U-S-A, U-S-A

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Nick Martin, buzz Movies Editor

#117

Hey guys!

I work at Illini Media! As an IM employe, I’m PSYCHED to see people so passionate about my place of work! However, I think I can provide some necessary context. Keep in mind that IM is run by students, so we have a VERY FAST turn over rate—people usually only have their jobs for 9 months at a time, tops.
In short: this is how PGU is RIGHT NOW; what Pauly described is PGU a year ago. What will it be like when the current Program Director graduates? Who knows?!
Also keep in mind, since PGU (and all of IM) is student run, the people who in charge are still learning how to do their jobs. I understand your indignation at the puzzling change from contemporary indie to 90s jock-rock—but that change can be reversed come March 2012! The current programing director who made the decision to do that has been working in radio for ABSOLUTELY NO MORE THAN THREE YEARS! So is he going to make mistakes? Oh definitely! Just like everyone at Illini Media has! Myself especially!
So, if you don’t like PGU right now, check back in a few months. I GAURENTEE it will change! Also, remember, the people you’re criticizing are real people just learning how to work in a constantly changing and complicated industry—cut them slack, because I bet you’d want slack if you were in their position.
And finally, woooooo boy Q-Tips! Objectively speaking, you sound like a total insufferable meanie! Why are you so invested in this? Why are you posting anonmously? Why don’t you take ownership of your ideas? I’m glad to see your interest in rhetoric (i.e. your strawman identification), so consider this rhetoric tip! When you call names during arguments, it’s called ad homin: it gaurentees that everyone will think you’re hotheaded, inarticulate, and wrong. Next time, try to avoid all the “prickboy” stuff (not to mention prickboy is a ridiclious swear no one has ever said ever before and it made you sound like a…prickboy?).
P.S. Ask me questions and replys if you like, but I won’t be checking this until tomorrow!

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Travis Wayne Hurt

#118

I wan to be a radio.

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wildbill

#119

i lost my pants at the urge show in 1998.  true story.   

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brad chaney

#120

im weird.

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MISHMASHBOOSH

#121

MISH MASH BOOSH MASHED POTATOES!

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Emily

#122

I lived in Champaign-Urbana for 6 years. I always listened to WPGU. I discovered so many fantastic artists that I would have never otherwise knew about.
Eventually I left the CU to go to grad school in Kentucky. Down here, all we have is country and Jesus stations. One day it hit me that I could still listen to WPGU online. So I did. Every single day. It was such a wonderful reminder of the city I missed.
Suddenly a change started occurring. I thought it maybe it was just a DJ playing bad music as a guilty pleasure. I assumed it would pass. It didn’t. Crap become more and more frequent.
 I tried, WPGU. I really did. I was such a fan, that moving to another state wouldn’t keep me from listening. In the end, I couldn’t take it anymore. Guess I’d better learn to like those Bible Belt tunes.

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colin freakin larson

#123

wow this has a lot of comments
I was just gonna say thanks to tom pauly for letting me live out that one scene in That Thing You Do where they hear themselves on the radio for the first time.  You’re the man.

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Lady

#124

Tom,
-I hope you feel like a weight has lifted off of your chest by writing this article.  The rest of the radio community is laughing at you for so insensitively ‘outting’ your former employer.  Radio, and media, for that matter, is a very small business; those who are fortunate enough to get their foot in the door, are very connected to others throughout the country.  Good luck trying to make a career in this business.  Because no employer, in their right minds (media or not) wants to higher someone who is so quick to ‘out’ them and their policies. 
 In any case, you should be ashamed of yourself for attacking your former coworkers, and people you claim to be friends.  Isn’t it possible, they are doing the best they can with what they have?  Isn’t that what we are all trying to do?
Best of luck in your radio career.  You certainly have lost any cheerleaders from the town that listened to you grow.

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Johnny

#125

Wow, Lady managed to make even Q-Tips look good.  If they’re even different people.

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Mark Wyman

#126

Tom, I hope you go far in whatever you venture into. You walking away from what you foresaw as a bad situation for you personally and making it into something most only strive for, is inspiring. Maybe you didnt have to write this article, maybe it didnt have to get published. But I also know the guy that runs “the smile politely show” didnt get to where he is by listening to the naysayers. Everyone naysaying you and calling you names in this thread are simply haters, jealous, and will only be happy when they see others unhappy as they. And most others seem to want to flash knowledge about a bunch of shit that really doesnt matter.
I don’t think you need it, but Im a gambler so Ill say it… Good luck buddy. Call me, and get me a coffee mug from where you work.

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Chris Lanuri (of the Morning Alternative)

#127

You are in college.  Stop being a prick and enjoy your life.  The amout of ass you get for being on The Planet makes up for your lack in pay.  If I met you in person I would punch you in the face.  If you smell what the Lanuti is cookin’!
Oh, and fuck you.  Seriously.

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Ham Dinner

#128

I can’t believe that the SP comment threads don’t separate into pages, someone should really work on that.
(Felt like this was much more interesting, and meaningful than the actual content of this butt-hurt article.)

Mike Ingram avatar

Mike Ingram

#129

Do NOT sully the good name of Mr. Chris Lanuti and his Morning Alternative, motherfucker.

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Andrew K

#130

130 comments.  clearly people care about wpgu and what they play.  kudos to tom for trying his best to make the station better.  was he right or was he wrong?  all that matters is that he did what he could to improve the station both financially and artistically.  wpgu will always be a constantly changing station given the nature, but that doesn’t mean someone shouldn’t try to go above and beyond to make it something unique or special.  this article was most likely written to try and explain the sudden and drastic change the station went through in the last few months.  it’s no sour grapes.  the current wpgu people are doing what they do for a reason.  you don’t have to like it, but that’s just the way the station is.  in my opinion, tom and all his cronies did a fantastic job of getting involved in the local music scene and getting even the most jaded local musicians into the wpgu studio to talk about upcoming shows or albums.  even john hoeffleur!  i hadn’t seen that in a long time, and i think that has carried on to the current wpgu staff.  they’ve been very supportive of local shows, and for that reason alone i would say tom and his colleagues didn’t waste a year of their life.

isaac arms avatar featured_post

isaac arms

#131

i’d like to clarify that the phrase sour grapes connotes rationalizing a distaste for something you can never attain; we actually had the glory days: we tasted a radio station actually giving a shit about its community…and now we miss it.  I missed it before it was over. Before I knew we’d be inundated with butt rock and numetal.
The change to the station has prompted many serious conversations and countless jokes over the past few months, and all’s I can say is that it’s evidence of Tom and the other dudes and ladies’ hard work that people can even NOTICE that WPGU has gotten shitty.
And, I also want Travis Wayne Hurt to be a radio.

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Matt C

#132

So glad to see this article. I used to listen all the time, but the decline has been too painful. Parkland’s station is much better now.

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loren

#133

I was On Air at PGU under Hanson, Becky, Lamberson and some other fantastic managers. I never thought that PGU would turn it’s back on the local music that set it apart from the Chicago and big city radio stations that tend to steer away from local acts.
It would break my heart to turn on 107.1 and hear Paramore being played in a non-joking way. I hope your article smacks some sense into whoever is running the show these days.
 

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lady cant spell

#134

Hey lady. who’s going to HIRE you when you spell it “higher”  ?   public education at it’s finest.  everyone in this thread is retarded.   thats it.  take the 100 odd comments and just condense them down to one comment.  everyone is retarded.  that is all.  hallelujah holy shit where’s the tylenol.

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Ted

#136

“And in a shocking twist, it was revealed that Q-Tip’s real identity was none other than Pauly’s longtime on-air partner, Pat Singer.”

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control

#137

Yea, the new PD, kicked out beats and rhymes. The show has been on the air for a decade, and just because it doesn’t fit in his vision for the station, he just trashes it. For no reason, but we really had no say in the situation.

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[c]

#138

I’m not sure if anyone other than Control brought up Beats and Rhymes. I was really said to see one of the last hip-hop institutions in the CU gone due to the new PDs plans for the station.

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Q-Tips

#139

Great weekend, especially knowing the self-important a-holes here would still be stewing.
 
I did try Googling the suggested phrase, but obviously the person who suggested it hadn’t done it himself. Several choices came up, and after some searching, I did find some numbers. They looked low.
 
Even if they had not been low, Arbitron ratings are not the sole determinant of whether a format is working. If they were, the stations at the top end would avoid changing. That is simply not possible in radio; there always has to be adjustment.
 
As others have pointed out, revenue is another factor. I don’t think people here understand that because they want the station to be commercial-free.
 
I like the new format because on the rare times I go to PGU, there might be something I’ll stick with. On the infrequent instance I stuck with the old format, the DJs almost never gave information about the music, so even if I heard something I liked, I had to guess who the group was.
 
Finally, it’s still amusing that so many people here don’t seem to have the first damn clue how student-run media groups work.

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Q-Tips

#140

[c], you should really be mad at WPCD then. After all, that station used to be close to half R&B/hip-hop, and then it changed to the current format.
 
But 105.5 still has the rhythmic format, or at least it did this summer. So I’m not sure how the last of the format has disappeared. Sounds like more of what we’ve seen here—people shifting to melodrama because they don’t have a solid point.

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[c]

#141

Sad to see* [fuck why do i keep misspelling that word”]

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[c]

#142

Let me qualify my statement for Q-Tips.

I was said to see one of the last institution for UNDERGROUND, INDEPENDENT AND OLD SCHOOL HIP-HOP in the CU and Illinois [the only other program I know still holding this segment of music down is The Hip-Hop Project on WLUW in Chicago and one of the hosts there is an Alum of Beats and Rhymes].

Several stations claim the play “hip-hop” but really they are playing pop with a hip-hop flavor. Beats and Rhymes kept it real for people in the culture. And that is precisely what hip-hop is first and foremost; A CULTURE.

So for the PD to make the decision to cancel a show that has been running for over a decade that provides the only outlet for underground/independent/old school hip hop because they dont like it or doesn’t feel it fits within the program is to implicitly say, “You’re culture and what you like is not as important as ratings/money/‘our’ music.”

This I feel is complete bullshit.

Beats and Rhymes was something bigger than itself. It was a legacy left by a few ambitious kids that wanted nothing more than to have the voices of their community to heard by masses and have it be known that this genre and this culture is important.

Feel free to call me melodramatic.

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Dana Lucas

#143

Hey Tom,
I worked at Q101. Everything you said about it was wrong with the exception of that it doesn’t exist anymore. We were sold to a dude that does newstalk. It wouldn’t have mattered if we would have had a 20 share. We made money, we made a profit. In this economy. The reason we flipped was because of parent company was in need of money, and the new owner did newstalk. NOTHING TO DO WITH US. Doesn’t that suck? Yes, but it’s the way it goes. You know what sucks more? Hearing some fresh out of college dude who thinks he knows what he’s talking about compare a successful rock station to a one share college hippie playground. But reading these comments has made it okay. Lanuti and JB make me laugh. Thanks guys.

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claire

#144

Q-Tips—
I’m just gonna say it.  His name is TOM.  His name is Tom and you know it.

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Cristy G

#145

Thanks for writing this, Tom. At first, I thought it was just my imagination that the format had changed. I’m truly disappointed, because I was a die-hard listener. I appreciate the work you and the staff did during your tenure. I discovered a lot of new bands—and more than a few older ones—through WPGU.

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Q-Tips

#146

Thanks, Clar.
 
Back to the adult discussion: Dana Lucas just nailed it. Until Thom’s whine, I’d never heard anyone from WPGU trying to talk like an expert about the entire radio market. It’s pretty amusing.
 
That’s not to say the PGU people—who are generally douchebags, and the douchebaggiest generally rise to the top—don’t mouth off about their station a lot while they’re there. We had the misfortune of having one of these d-bags in our office a few years ago. Worse, he “knew someone” at the place, so even though he’d either flunked out or been tossed out for lack of progress toward a degree (he was always vague on the cause), he was given a measure of responsibility.
 
His idea of using it was to screw up a lot of things and then blame everyone else. For example, once he put an outgoing item literally right in front of a door, so it had to be moved to the side. Then, when it wasn’t picked up, he blamed the person who moved it.
 
But back to PGU—we “had” to listen to it when he was there. Back then, the station had about 10-12 songs in its playlist and would “rotate” them from hour to hour. It sucked donkey sweat. A couple of the groups on that narrow playlist might be OK, but we learned to hate them with fury during that time. (I was going to name the groups, but GB probably reads this and might figure out the specifics.)
 
When Genius Boy would leave for class (he appealed to get back in), the station would get changed. Then GB would return, and back it would go. At one point, I think GB pushed for a block on EVER changing the station, with the claim that it was “his” radio, but that must have failed.
 
The one-share station—I like that.
 
[c], you should move on. Even Centric cut back on the Retro Centric show. The interest in what you want just doesn’t seem to be there—sad but true.

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Q-Tips

#147

I’m Q-Tips and I’m a puppy! Ruff Ruff!

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Q-Tips

#148

Look, it’s a clone! No one is going to see through that.
 
I wonder who it could be?
 
The flashback show starts in 20 min. I remember a few years ago when that was a fun listen. Now it just sucks 99 percent of the time.

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Patrick Wood

#149

Nick Martin’s comment was about the best on here. I’ve read this article over and over, along with all the comments that go with it. Listeners are upset because, unlike in past years, WPGU has changed their format drastically. To the point that their listening audience became visibly upset, and still is.
 
I don’t blame Tom Pauly for being on another level of upset. He helped build PGU up. It was part of his college career, and something he can look back on with pride. 
 
Having that ripped to shreds, with seemingly little forethought, couldn’t have been easy. But this is college radio. It changes. It’s not a sure thing. No radio station is.
 
What I hope happens, and what I assume a lot of people hope happens, is that WPGU returns to some sort of college format that fits HERE, in the CU. I hope PGU stabilizes and people start listening to them again.
 
Q-Tips, in all of his anonymous glory, all of his ignorant, arrogant, unfounded discussion, did say one thing I’ll agree with. College radio changes formats all the time. We all have to deal with that for now. Luckily there’s WPCD, WEFT, iTunes, Pandora, whatever you need to get by.
 
PGU will have it’s better years. It has in the past, it will again. I know there’s a lot of new, young people working there that will see to that. 
 
And as for the people on here that are throwing insults about radio, formats, music, whatever, if you have worked in it, you’ve got a reason. You have some sort of understanding. If you haven’t, what do you know about any of this?

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Q-Tips

#150

Patrick, you keep working in those insults, but you don’t say much that makes sense. So the format change in 2004 wasn’t drastic? Going from The Planet to mostly independent stuff? There’s a saying—if you don’t know what you’re talking about, then say nothing. Clearly you don’t know what you’re talking about, nor do many of the people here. They know about one format change—this one—and they think they are qualified to address it.
 
There have been other format changes. Look them up.
 
Nick Martin needs to learn how to spell, type, and to lay off the Caps Lock.
 
Back to you, Patrick—the Arbitron share looks to be 1.5 at its absolute peak. Just who were these listeners that made the format “fit”? Martians getting the signal beamed to their planet?
 
Finally, my reason to “throw insults” is fools like you. More and more, I think this format change has to be a good thing if it upsets your crowd. Face it—you had your chance and failed.

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Patrick Wood

#151

Q-Tips, you’re getting old. You have no name, no face, no investment in the college, the community, nothing. You might as well be an automated response. 
 
Can you tell me one thing about yourself that makes anything you say worth listening to? I’m not asking for a resume, but what radio station have you worked at? What do know about listening audiences, aside from what anyone can see with Arbitron.
 
I had my chance and failed. Not quite. I’m still doing music programming, still working at a local college station, still getting a lot of positive feedback, and will ALWAYS be more in tune to what’s going on in the CU radio community than people like you ( the kind that tackle a sentence in three paragraphs of writing) which I think is sad, but to every man their own.
 
 
I’m not so much concerned about what you have to say anymore, I’m just curious as to who you really are. Some PGU alumni? A reeeeally disgruntled listener? A bored troll? You’ve avoided that question almost half-a-dozen times now. I’d like to know what weight your opinion carries. 
 
 
 

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Q-Tips

#152

Patrick, you sort of answered your own question. You are at a local college radio station. You don’t have that much clout. Hate to break it, but it’s true.
No. One. Cares. I’ve heard PCD—it’s basically a handful of people who might be halfway decent in small doses, a lot of insignificants, a few people who have no business being on the radio, and some loudmouths who are just too painful to listen to.
 
I like how someone raised the Arbitron point, apparently without bothering to research it, and now you and the other bitter pills here are trying to run away from it. Sweet.
Again, you are at the Parkland station. No one realy cares what you have to say. You know less than nothing. See, two can play the discrediting game. But I have numbers and facts. You have your opinions.

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Patrick Wood

#153

I have my experience Mr. Tips. You on the other hand, have Google and anonymity to hide behind. 
 
You still haven’t answered my question, which is a fairly simple one: Who are you? 
 
Got Spine?

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Nikolas Allen

#154

TRAVIS WAYNE HURT FOR PRESIDENT!

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Q-Tips

#155

Your experience is at a junior college radio station. You’re as irrelevant as they come. No one really cares about your opinion, although I think a future employer should be concerned about someone defending a 1.5 share (at best) this strongly. It’d make me think the person doesn’t understand what the listeners want.

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Patrick Wood

#156

Yeah, I’ll let The Syndicate know how strongly I feel about college radio. 
 
You can dance around my question of who you are all you want. At least I know now you are in fact spineless, and THANK GOD, don’t work anywhere near the radio/music industry.

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Q-Tips

#157

As far as my experience goes, I’m Senor Love Daddy from Do The Right Thing. It’s gonna be another hot day outside!
I was also a janitor at a college radio station. I hate people who like independent music because they keep people from buying real music from major record store chains. Ruff ruff!

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Adam Barnett

#158

Patrick,
You work at the Syndicate? They do some crazy good distribution work. Good job.

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Q-Tips

#159

Patrick, again, sport—no one cares. Clive Davis himself could be in here arguing about how the last format worked, and he would still be wrong.
 
You have been destroyed so much in here that we should count the ways:
 
(1) Previous people from WPGU have come in to say the format didn’t work and why it didn’t work.
(2) At least one person has discredited Thom’s entire body of work about Q101.
(3) You work at a junior college radio station that doesn’t have to sell any ads.
(4) Even though you work at a student-run media outlet, you don’t seem to understand that student-run media is always changing.
Actually, I’m wondering why Illini Media let this clearly failing idea run as long as it did. The roots likely go back to the format change of 2004, which doesn’t seem to have been thought out very well. The Planet had probably run its course, but even keeping that going would have made way more sense than what we’ve experienced the last few years.
 
So, Patty—quick response to your future points:
 
“I work at WPCD.” No one cares.
“I’m affiliated with The Syndicate.” No one cares.
“BUT, but but =-=- I have EXPERIENCE! At PARKLAND!” No one cares.
That should about cover it.
 
 

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Patrick Wood

#160

Adam cares!
 
=)
 
I’d be pissed if I was a janitor too….

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Q-Tips

#161

I’d be pissed if I was at a college radio station and was trying to claim I was relevant.
Speaking of which, I talked with someone this weekend who hooks different businesses up with things like advertising packages. When I mentioned this discussion, he laughed. As far as he and his group are concerned, PGU is non-existent and has been for some time. He said the Arbitron ratings could triple, and the lack of a coherent identity would still mean the station would not even be on the list to be considered.

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Adam Barnett

#162

Here’s the issue:
Some people in this argument are looking at radio as a business, some are looking at radio as way to experience and discover new music. That’s why nobody can really come to an agreement on either end.
You can’t be successful in both. The majority of people who listen to the radio and advertise for it like to work with stations that play familiar music - music from the 90s, oldies, whatever. That’s up to the format. WPGU is trying to appeal to its target audience by playing familiar alt. rock songs, and if it’s working, great.
From the argument of college radio, if it’s backed by the school like a bunch of college stations are, free format, or an indie format can be successful, and commercial-free can also work as well. But because WPGU is a business, it can’t run that way; it has to run like its contemporaries in the radio business. 
LOL

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Anonymous

#163

The joy of working at WPGU is that it simulates a commerical radio experience withoutthe needing to adhere to all the properties of a commercial radio station. It offers college students the chance to get a feel for what it is like ot work for a major radio station, yet still relish in the freedom and creativity that college radio allows. 
As Tom Pauly said, you don’t work for WPGU because you want to make money, you work there because you love music and you want to share that passion behind the microphone. The changes made at WPGU have moved it too far into the realm of true commercial radio and have taken away from the personality the radio station had. It should be a station about the music, nothing else. It is unlikely it will ever become immensly profitable our garner a massive audience outside of Champaign-Urbana (or even within). With that said, WPGU should not care so much about what people want to listen to, but rather be the impetus for why people care. The beauty the station had was that it was familiar, yet the listener’s musical horizon was expanded by local, new and unfamilar music. 
WPGU has the ability to form its own identiy. It should ingrain itself in the local music scene and not be afraid to play music that other stations don’t play. There is a fear that it must conform to what the “bigger” stations do or else the listeners won’t be there. That is just foolish. 

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Former coworker

#164

Dana Lucas is a joke. She’s been a joke for as long as I’ve known her and unless she does something about both her mind and her personality she always will be. Poor miserable Ms. Lucas, very petty of you to call yourself a professional and leave a comment like that on a thread.

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Tom Pauly

#165

Dana,
 
We met before.  I like you.  I respect your work, you actually gave me great feedback when you visited us in the spring. And maybe I might be wrong about whether or not Q101 made money, but I was not wrong when I suggested that Q101’s ratings were poor. You call out me as some fresh out of college know-it-all (maybe guilty) that can’t differentiate a successful station with a “college hippie playground” - which gave you your start btw.  That’s fine, I’d hope you’d think a bit more highly of WPGU, but whatever.
 
Now, what I do know, is that Q101’s ratings were declining, and it was being sold when or before it had finally reached a 1.9 share. In May it was the 22nd highest rated station via PPM in Chicago.  On par with smooth jazz and below regional Mexican.  Obviously, it’s no secret that Emmis needed money, but I feel like it might be safe to say that their opportunity to sell this station as a successful and big time moneymaking venture if it was a 20 share would be higher is reasonable, no? If not, then Emmis was clearly in even more dire financial straits than I had heard/read about.
 
Obviously, I don’t know everything there is to know in radio, and some folks (yourself being one of them) are able to steer me towards the light, but to me, as a young music fan and someone who at least has an idea of how radio works can tell you that the pairing of Skillet, Papa Roach, and Mumford and Sons is not a highly successful format.  A 1.9 share says so.
 
That type of playlist screams of a lack of identity.  For the most part, Mumford and Sons would turn off the Skillet fan, and vice versa.  This is the inherent problem I have with both WPGU and the late Q101’s programming.  Alternative is different today than it was in 2002.  That Alt and the Alt of 2011 don’t allow for much crossover, and at some point there might need to be some sort of new way to categorize the two, but for right now, they don’t mesh.
While Q101 and the folks that worked there busted their asses, it seemed to me that the chance to be on the cutting edge of where music was/is headed collided with the active rock-edgy scene that Q101 was synonymous with in the late 90’s early 00’s.  It prevented Q101 from being as successful as an alt station could be.
 
So forgive the fact that I insinuated that Q101 wasn’t making money, but it sure as hell wasn’t as successful as it could have been, and I think you’d agree that a 1.9 isn’t exactly tops (for reference XRT was a 3.2, B96 was a 3.7, and WLIT was a 3.3).
 
Listen, I get it, this article might make me sound like a dick.  Fine.  Will it prevent me from future employment? I hope not, I bust my ass when I work and feel I’m talented enough to be a difference maker- but maybe it will.  Maybe this will be seen as ripping my former employer (for the record, I’m not - I loved that place and most of the folks that worked there). That’s fine too - someone will hire me and realize they made the right choice.  But I won’t apologize for answering a collective question on why there seems to be a musical regression at station that was great before I got there.  I’d like to think that the chance to give C-U a unique voice through a radio station that represents the tastes and sounds that are created in this town should trump an outdated playlist from 2002 that was proven to be marginal at best in Chicago in 2011.
 
Anyway, that’s it from me on this thread.  I’ve enjoyed the controversy and discussions that this has spawned - despite the commenter who seems to have lost his/or her civility in El Segundo.  It really is cool to see such a conversation amongst community members.
 
Cheers,
TP
 

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Stephan Lane

#166

Q-Tips has spent all day arguing about something that he repeatedly professes to care nothing about.  Hmm..
 
Also, glad to hear things are going well for you up north, Mr Tom Pauly.  We should get together and “relive our glory days” soon.

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Stephan Lane

#167

I also just want to comment on what appears to be the base of the heated arguments on both sides:  it is apparent that the identity of the community backing WPGU is shifting.  It is changing in a way larger than the “routine shift of management” excuse is thrown around.  By targetting the lowest common denominator rather than the local student culture, a shift towards a monetary focus is apparent.
The people in charge of music, events, and community outreach the past few years have gathered a huge following from the students in Champaign-Urbana.  WPGU was more than a station that people flipped on while driving 20 minutes around town, it was a base of the local culture.  The management did a great job of being in touch with the local student populace.
Purely economically thinking?  The decision made by the new management might be a good choice.  They may alienate a sizable part of the student population but they may have done a great job of catering to the lowest common denominator.
However, this is almost definitely a crushing blow to the cultural identity and student respect of an estalishment that was recently very in touch with local culture and a good representation of what the students considered “cool.”  It will almost definitely bring huge losses to its established following and respected musical tastes.  From this perspective, it seems like the death of an organization that so many of us respected and wanted to see thrive.
 

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Q-Tips

#168

Posts 162 and 163 were somewhat reasonable, so we were destined to get the jackasses back after that.
 
Dana, you should listen to Thom—he’s an expert on low ratings. I like how he blasts on a 1.9 rating when PGU was getting a 1.5 at its best. Talk about the pot calling the kettle black!
 
The rest of Thommy’s post is more beating the dead horse. We get it—alt-music has changed during the last 10 years; blahblah. Do you ever get tired of going on about the same useless stuff?
 
THAT is why it’s great to see PGU making some changes. Let’s see—my choices would be listening to a playlist composed by douchebags like Thom and others here, who still somehow think they are being more inclusive with a narrower selection, or listening to a playlist made up by people who might not have sticks up their asses.
 
I think I’d choose the second option. I bet those people would be more fun and far less annoying. Like a popular singer (some of you don’t know what that is) once said: I’d rather laugh with the sinners than cry with the saints.

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Q-Tips

#169

Stephan, anyone who has to talk about how cool they are is, by definition, uncool. I guess you haven’t figured that out yet.
But I don’t think that peak rating of 1.5 was as cool as you think, either.

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Johnny

#170

“Q-Tips has spent all day arguing about something that he repeatedly professes to care nothing about.  Hmm..”
Not just that he repeatedly professes to care nothing about.  That he feverishly insists no one cares anything about.  It would be fascinating if it weren’t so stupid.

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Q-Tips

#171

The ratings and facts back my point, though. So do the objective people who have posted facts here, as opposed to the whining of the music snobs.
If there were a running scoreboard, the mercy rule for the snobs would be in effect. It’s been a solid assbeating so far.
What’s really funny is this—as much as people insist they were giving C-U “what it wants,” the reality is they weren’t. The effort seemed a lot like catering to the Chicago/suburb/transplant/hippie mentality. The station and its parent company probably erred years ago by starting down that path and by not reversing course at least a couple of years ago.
I wouldn’t mind hearing some of the old format, but it needs to be balanced with other things. Also, the secret society crap is stupid. Once a while it’s good to mention who’s on the playlist. Thommy’s pubes probably curl at that last idea, but so what. 
 

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Q-Tips

#172

“WLIT was a 3.3”—you’re an idiot, Thom. Has anyone else ever told you that? Sure they have.
WLIT changed its format, too. I’m not sure why the city didn’t storm the tower after that, but somehow they kept the peace.
 

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Neti Pot

#173

Q Tips you should clean the wax out of your ears and allow your hollow head to cool off before it explodes.

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Stephan Lane

#174

I never said anything about anyone having to talk about how awesome or cool they are, I was commenting on something that people in general considered “cool”, as opposed to like, McDonalds or Walmart or something.
And what you are saying about ratings was exactly my point:  WPGU is shifting from a student-based culture focus to an entire champaign-urbana and surrounding areas focus.  I also said that economically it might not be a bad idea overall, but that it is undeniably true that the changes alienate a group that held the station in high regard for the reasons I mentioned earlier.
Most likely, another station will jump in to fill that niche, and it sounds like one already is.  
On a different note, why hide behind a coat of anonymity, Q-Tip, while simultaneously speaking so highly of your own opinion on subjects?

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Q-Tips

#175

Stephan, if you’re referring to WPCD “jumping in,” that station changed its format not long after WPGU dropped The Planet format. So it’s not really “jumping in”; it’s just doing what it’s been doing. I’m sure one of the douchebags here will now chime in about how PCD plays some groups more than it used to, but that’s the way most stations are.
Actually, what you describe might make sense. PCD doesn’t sell paid ads, and PGU does. So having something that appeals to more than a cross-section of a few dozen vocal buttholes might be a great move for PGU.

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carl sandburg

#176

I, for one, like Parkland College’s radio station.

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Tracy Nectoux

#177

And with that, comments are now closed.
 
Thank you, Carl, for allowing us to end on a positive note.

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